Culture does not exist outside the context of war. In the hands of an aggressor state, culture ceases to be merely art—it becomes a weapon.
As long as Russia continues its aggression against Ukraine, the participation of representatives of Russia’s state cultural system in international cultural events extends far beyond the realm of art.
The Russian Federation systematically uses culture as an instrument of its hybrid and subversive influence. International tours, festivals, and cultural projects are designed not only to promote artistic achievements but also to create a positive image of the aggressor state and to convey the false impression that its international isolation is ineffective.
For this reason, an increasing number of European cultural institutions are assessing not only the artistic merit of performers but also the context in which they operate, their ties to Russian state structures, and the potential use of culture as a tool of political influence.
Today, Ukraine is defending not only its own sovereignty but also the values on which modern Europe is built. Protecting European values also means safeguarding European stages from totalitarian propaganda disguised as ballet or classical music.
Therefore, the discussion about Russia’s state cultural diplomacy is not merely a cultural issue—it is a matter of responsibility and the protection of democratic principles.
We invite you to read the article by the Ambassador of Ukraine to the Republic of Slovenia, Petro Beshta, which explores how contemporary Russia uses culture as an instrument of state propaganda and political influence.